Candice Bergen's modeling career began in the 1960s, laying the foundation for her future success in entertainment. As a teenager, she graced the covers of prestigious magazines like Vogue and Harper's Bazaar, showcasing her striking looks and natural poise12. Her modeling work not only provided financial independence but also allowed her to pursue her passion for photography, using her earnings to purchase cameras3.

Bergen's modeling experience proved invaluable when she transitioned to acting, giving her confidence in front of the camera and a keen understanding of visual aesthetics. Her time as a Ford model helped her develop the polished, sophisticated image that would become her trademark in early film roles3. Despite her success in modeling, Bergen ultimately chose to focus on acting, using her experiences in the fashion world to inform her performances and shape her public persona.

Candice Bergen's breakthrough came with her role in the 1966 film "The Group," directed by Sidney Lumet1. This ensemble drama, based on Mary McCarthy's novel, marked Bergen's screen debut and showcased her acting potential. Her performance as the sophisticated Lakey Eastlake caught the attention of critics and audiences alike1.

Following "The Group," Bergen quickly secured another significant role in "The Sand Pebbles" (1966) opposite Steve McQueen2. This film further established her credibility as a serious actress and demonstrated her ability to hold her own alongside established stars. Bergen's early success in these films set the stage for her diverse and enduring career in both television and cinema3.

• "The Group" (1966) - Screen debut and critical recognition

• "The Sand Pebbles" (1966) - Solidified her status as a rising star

• Transitioned from modeling to acting, leveraging her natural screen presence

These early roles showcased Bergen's versatility and laid the foundation for her future success, including her iconic portrayal of Murphy Brown two decades later4.

Candice Bergen's passion for photography led her to pursue a successful career in photojournalism alongside her acting endeavors. Throughout the 1970s, she contributed photographic essays to prominent publications such as NBC's Today show, Esquire, Life, Vogue, and Ladies' Home Journal1. Her work covered a diverse range of subjects, from celebrity portraits to international events.

Bergen's photojournalism highlights include:

• A cover story on Charlie Chaplin's return to the United States for Life magazine2

• Capturing images of David Duke at a Ku Klux Klan rally and Huey P. Newton, co-founder of the Black Panther Party1

• Photographing Muhammad Ali in Munich and Jane Goodall in Tanzania1

• Documenting the changing cultural landscape of Bel Air in the 1960s1

Her photographic work showcased her keen eye for detail and ability to capture compelling moments, earning her respect in both the journalism and entertainment industries3. Bergen's dual career as an actress and photojournalist demonstrated her versatility and creative talents beyond the screen.